Upon asking Srajan about the super-secret gain option, I could almost see his virtual chuckle. Now this socket was of power output on par with speaker terminals just across the enclosure, which spelled 25wpc into 8Ω… for headphones. That gorgeous red knob pushed for several seconds granted me access to the machine’s handy sub-menu, wherein I happily unlocked 22dB of gain for its 6.3mm out driven by the same posh circuit. Then Bakoon’s main man Soo-In Chae stepped in to inform me about the AMP-13R’s adjustable gain feature. Alas, no dice, the petite deck ran out of juice, most music it served at SPL far below party level. Let’s say that curiosity pushed me to map their conjoined service. These two extraordinary products (both awarded with my ‘Victor’ badge) under one roof at the same time, eventually introduced the ‘what if?’ question.
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What was off the table during the first AMP-13R rodeo, now became possible.
![multi track record in sound forge audio studio 10.0 multi track record in sound forge audio studio 10.0](https://www.windows10download.com/softwareimages/sound-forge-audio-studio.jpg)
Upon its return several months later, I already had Susvara nearby and wasn’t afraid to use it. Just as I knew I had to have HifiMan’s top planar model sooner or later, the feeling towards the Bakoon was very much alike. Even though both HifiMan Susvara and Bakoon AMP-13R reviews started as regular assignments, each quickly morphed into an unforgettable experience that doesn’t let go easily. Nonetheless, the smallest and most affordable of the group, that would be the Bakoon, on sonic exquisiteness and overall excellence is second to none, not even to far more powerful, intimidating, phenomenal by my standards and almost ten times costlier Trilogy’s three-piece set. Of course all listed items sport their own unique sonic flavours, vary in topology and are meant for different loads.
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Not a hair but a fair bit below it I’d position Thöress F2A11 alongside Trilogy 995R/915R. In short, if I had to point my journo finger at a single best-sounding amplifier I’ve heard in controlled environment thus far, this marvel would land the top spot easily. Now let’s fast forward to January 2019 and the article about Bakoon AMP-13R. As two chaps fully aware of Susvara’s usefulness in our daily struggles, we did the wire with no regrets. Finally, along with my cohort Matt the Forza AudioWorks guy, we managed to finance HifiMan’s flagship planar model together. Subconsciously I knew that this chapter was far from over. This transition left me quite satisfied for some time, but withdrawal symptoms past Susvara’s departure grew stronger and stronger one day at a time. In spite of the newcomer’s superiority on every count, its sticker beyond my reach pushed me towards the latter’s better version two instead.
#MULTI TRACK RECORD IN SOUND FORGE AUDIO STUDIO 10.0 PRO#
Back then two headfi amps – Pass Labs HPA-1 and iFi audio Pro iCAN – allowed me to understand how much better HifiMan’s latest specimen was versus my HE-1000v1. In July 2017 I got my hands on HifiMan’s freshly launched HE-6 successor Susvara, no less notorious due to the very same inefficiency reason. As per usual, it was just a matter of time for this to change. No experience with cans located upper in the food chain rendered me clueless about what the word ‘better’ could actually stand for back then. Simply put, at that time sonic level reached was high enough to leave any craves for more performance at the door. Perfect happiness achieved with the planar HE-1000v1 flagship truly got me into thinking that things couldn’t get any better. At some point Sennheiser’s open-backed game changer got stomped by Fang Bian’s about three times as costly HE-1000v1 model, which to my ears did most things substantially better and was less fussy about associated hardware. This setup gave me lots of joy and was the first serious one I’ve built. It all started form Sennheiser HD 800 purchased shortly after its official release and then paired with the no longer manufactured Audio-gd Phoenix balanced amp. Let’s call it my personal bias towards keeping things simple in this realm. In spite of familiarity with a fair share of expensive headphones over more than a decade, I’ve always owned just one primary model with one main amp. Many enthusiasts roll with multiple costly cans, amps and the lot, which labels my own rotation in this sector as anything but crazy in comparison. My privy track record with headphones is quite uncomplicated. Not only this, even though it should originate as a regular journo assignment strictly related to headfi, it didn’t. Enjoy! IntroductionĮven though today’s article isn’t a typical HFK story, it was on my to-do list for months. This subject got me interested enough to conduct my own investigation, enabled by several devices deemed as fit for the job.
![multi track record in sound forge audio studio 10.0 multi track record in sound forge audio studio 10.0](https://img.audiofanzine.com/images/u/product/normal/sony-sound-forge-audio-studio-10-104846.jpg)
The word on the street is that it actually enjoys company of proper speaker amps more than regular headphone decks. HifiMan Susvara isn’t an ordinary headphone product.